#PUBLISH
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                fontsize = 36,
                label = "estudios de la presencia con"
                
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//refererencias en PASTEL PINK:

"The Body Multiple (Annemarie Mol)"
[sides=8, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"Still Life (Fernando Domínguez Rubio)"
[sides=17, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"Voluptuous Disintegration (Romi Ron Morrison)"
[sides=13, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"Aeropolis (Nerea Calvillo)"
[sides=11, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"Ruth Wilson Gilmore"
[sides=12, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"Ian Alan Paul"
[sides=6, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"Miriyam Aouragh"
[sides=5, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"Katrina Sluis"
[sides=9, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"On Rehearsing Access (Ren Loren Britton)"
[sides=6, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"Victoria Ivanova"
[sides=7, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];

"So-and-Sovereignity (Martino Morandi & Femke Snelting)"
[sides=17, distortion="0.731383", orientation=43, skew="-0.824612", color=thistle2];


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